Friday, March 18, 2011

ABOUT DRAWING


OUR FIRST LANGUAGE WAS DRAWING PLUS A LOT OF GRUNTING AND POINTING

 ABOUT DRAWING...

Early people got into groups to share what they had experienced. Grunting and pointing or even waving arms was limited as a way of getting your tale, told, or an opinion across. But then, we flattened and cleared a patch of ground at our feet and picked up a short stick and stooped to draw and all gathered about. They began to nod; Yes I see! We all took turns with the stick to add our own bit to the topic... because we could all draw.
We could all draw and according to the cave drawings, we could all draw pretty well. Drawing was our first truly descriptive language.

My point is that anybody who tries to draw something, that interests them, can do it. They just need to hang in there, keep trying and don't become self-critical about their early result.

Everything that people like to do and even do quite well, they did awkwardly when they began.

I often advise beginners to pick a simple object (not an orange or a box) but a flower; a ceramic boat; a pair of shoes and so on.
Draw the subject carefully and place it face down... don't criticise it. Do this five times and try to do it as well as you can each time. Turn each drawing over without critique. Next, turn them all five over and notice the improvement in the final piece.

This won't always be true, but it usually is, if you aren't just rushing to finish all five.

Don't be impatient to finish and miss the fun in doing a sketch. You will be glad you drew.

Remember, self criticism is really a form of self-destruction---- JUST DON'T DO IT!

ELBERT         Sculpture "Drawing on the Ground" by Elbert Price

Saturday, March 12, 2011

Peach-Pineapple Salsa

We have recently tried Peach-Pineapple Salsa and WOW!  It has completely kicked my favorite of 25 years, Pace Picante Salsa out of our pantry.  I personally load it onto my breakfast toast where Smucker's Special Recipe Strawberry Preserves once resided without challenge.  Peach-Pineapple Salsa sits two deep on our pantry shelf with an open jar in the fridge.  Thanks Guys,  Elbert Price

See my paintings and sculptures at www.elbertprice.com

Tuesday, March 1, 2011

Merry Go Round

We are only here briefly and if you don't buy your ticket to the "Merry Go Round" you don't get to ride the "jumpy horsey" though you may still recall the music.
We recently saw a movie where a guy was struggling to get back to his motherless kids. When at last he did and they jumped up and cried "DADDY" it just about destroyed me with emotion. I had to go to the back bedroom and take a towel to my teary eyes. If you've ever heard that sound, you never get over it --- even if it's someone else's kids--- it still moves you to your core. Like I say you gotta buy a ticket to ride the jumpy horsey on the Merry Go Round and the tune hangs about, as long as you do.

Monday, February 7, 2011

An Artist

A commentator said that an artist being viewed was "just not professional" ---like
he would be likely to know who is or isn't. The opinionated are merely loud, I think.

In my view, if you say "I'm an artist", and you create your art; then you are. Critics are many; originals are few; opinions are cheap.

Van Gogh wasn't thought professional and Balzac was though a "hack" by his peers.
An after dinner speaker can be a soap boxer on the noon break, his audience not important. If he says he's a speaker and does in fact, speak; then he is... You are what you say you are if you perform.

Monday, September 28, 2009

BLUE BELLE AND THE GREAT DEPRESSION (2)




BLUE BELLE AND THE GREAT DEPRESSION


One of my favorite childhood stories happened as the Great Depression deepened. It began on Christmas day, 1930 in Spiro, Oklahoma, where my father collected me at my grandparent’s home. This is where my two sisters, Sybil Lee, 6, and Marian Yvonne, 2, and I, 4 ½, and my mother, Grace, 28, had been staying. We’d traveled to Spiro 3 months earlier from Oklahoma City by train. My dad, Elbert, 30, had lost both of his businesses; our house and the Model “T” sedan.


Dad was on foot; traveling light, with only a leather satchel, hitchhiking and now he had me in tow with my portable typewriter size suitcase… Almost no one in a car passed without stopping and picking us up. And we were soon in Searcy, Arkansas (where Dad eventually practiced law and we had our home).


In Searcy, I was left briefly with his sister, Jo Morgan, a new bride, while my father set about making new arrangements for my keep until he could pass the Arkansas Bar of law and set up practice as an attorney there.


By April, I and my grandmother Matilda, 52, whom I’d just met found ourselves joining her two sisters, Alice, 56, and Adeline, 60. We were all to live in a two room and lean-to added, share croppers cabin, located on the property of and about ¼ mile downhill from the home of Alice’s son, Wiley Wilson and his family, in a place called Joy.


Wiley’s place wasn’t bad at all but we were not to be living there.

Our cabin was old and smelly. It was extremely small, cramped and had bare essentials: 2 beds, 4 chairs, a small kitchen table, a food storage cabinet called a safe, a small cast iron cooking stove and a wall hanging clock. The walls were both, inside and out, just dark vertical boards, 10”wide nailed on as closely as they’d go but there were cracks between through which daylight streamed. It was like a cave with vertical sun stripes. I had never even seen such a place.


Alice and Adeline slept together in the “big bed” (standard double) in the bedroom. Matilda and I slept in the “3/4” bed in the kitchen.


Matilda complained every morning that she couldn’t get her sleep because I kicked like a mule. For a very long time I wondered who Mule was until Wiley’s son, Harold explained that it was the rusty looking animal pulling the plow. I heard him say “Go Mule!” and I asked, “Where is he”? I laughed, picturing that great fellow in bed with Matilda in the ¾, whether kicking or snorting as he often did.


In about seven months, I’d removed from an above average living space in Oklahoma City in a family of five, to this scarcely enclosed but dark chicken coop for people, with a lean- to shed on the back side and a small raised front porch. Our front step was a very big rock.


There was no bathroom, not even pretence. If nature called, we went outside somewhere away from the cabin.


Here I was nearing 5 years old with three “old ladies” that I didn’t even know and I had no idea when or whether I’d see my folks again. I’d ask, always to be told, “Oh, directly, I suppose”. Which I interpreted to mean Never.


I cried all of the time. It was driving Alice “insane” as she insisted and she begged Matilda to walk me away from the house a bit so she could have a minute of peace and quiet without “that youngun” squalling. Matilda would walk me in the road towards Wiley’s place up the hill. Eventually, I began going by myself and a practice soon developed in which I’d pretend that when I reached the top of the hill, I’d see my mother and sisters coming to take me home. This always led to tears of disappointment at the top of the hill but at least I was mostly over it when I got back and Alice got some relief from my self help.


When aunts, Jo, Vera and Lucy came to check on us, they made a plan to save the colored comic pages from Sunday newspapers (they called them “Funnies”) and bring them on their next trip to help entertain me. This they did, about a month later. They brought a lot as they’d told neighbors and friends in Searcy and Georgetown of my isolated situation and they all helped by collecting them too… I loved those “Funny papers” and even after I had seen them many times, wouldn’t let them be burned to “start the cook stove fire” though the three widows insisted that more would be coming.

when my aunts came back.

Finally, the welfare commodities came. The main reason I’d been placed with the widows to begin with; under President Hoover's welfare plan, a child in the household qualified the whole lot of us for government sponsored relief. There was even a little cash for outfitting me for school. The cash caused intense envy on the part of Wiley's family, up the hill, because they “didn’t have enough cash to mail a 3 cent letter”. For the three widows it meant they could finally buy some snuff from the traveling store truck the next time it came by. To them the sound of the store truck horn was “music from the pearly gates”! All three of them craved snuff and when they were out, they were cross.


There was a lot more flour in the commodities that we received, than we were likely to use before the worms got in it. To make me happy and to make the inside of the house lighter they decided to use some of it to make flour paste and glue my “Funny papers” to the walls and ceiling in the kitchen where we slept. At first I resisted, not wanting to part with my “funnies”. When it was done, I was really grateful! When the Aunts came again and saw it, they went into gales of laughter. Besides it was less drafty and I was crying less.


Not long after we had papered our place with “funny papers” the field mice discovered the flour paste we used to do the job. The mice would get under the wallpaper and scrounge about at night making some very annoying sounds. Alice or Matilda, sometimes both, would get up and after lighting the kerosene lamp, they would locate the offender by the rumpling in the funny paper and whack him extinct with a hand held shoe heel. The next day, we’d have a cut him out operation, followed by a paste in a new piece to cover. Soon there was no consistency to my comic strips, just a great assemblage of brilliant color.


Alice’s pussy cat “Blue Belle” was left with one of her daughters when she moved together with us. This was done partly to save feeding it and partly because they were thinking of Blue Belle’s willingness to change her home. Alice requested that the cat be brought. She used a 1 cent postcard explaining to her daughter that we had a plague of mice… So one day the red haired daughter arrived with Blue Belle in her lap. She was riding in a wagon made from the chassis of what had been a Model T car. It had rubber tired wheels and all. She called it a “Hoover” after the president. She said many people had just put their Model Ts up on blocks to save the tires until the time would come they could afford to buy gasoline and lubricating oil again. When she left, we gave her part of our flour and a bucket of our Steam Boat sugar cane syrup. She said the family had been out of flour for a “spell” and tonight we’ll have biscuits, “thickenin gravy” and syrup. Her mules looked thin and moved slowly as we watched her leave. At first, Blue Belle jumped up took a long look, as she drove away, but came back and laid down by Alice. From then on she was ours, although she wasn’t the “please pet me” sort or the begging sort either… more the sort you had to look at and talk to but respect her space sort. She wasn’t always under foot either but was often out dealing with our mouse problem. Obviously she was a specialist and we respected that.


Soon it was school time and I was not yet six. Matilda felt a bit obligated to have me go since they had taken the cash to outfit me for school. The actual preparations had been that a field worker supervisor, Mrs. Mason, had visited and brought me a pair of high topped shoes. I hadn’t worn any shoes for months. She also included some long tan, ribbed stockings. Matilda had also sewn me a frontier style square collar shirt of sheet material that she had saved.


I was the only entertainment that the 3 widows had so up to the point of my entering that backward country school, I could already do the alphabet, read, write, tell time and had a good sense of directions. I knew the names of most plants, animals and birds.


So I arrived at the school after a long tiring walk in my cut off overalls with long ribbed stockings sticking out and my frontier shirt. Not only that funny look but I talked funny and didn’t use the right words or understand the nasty ones the country boys were using either. They took turns whacking the new city boy freak. Finally, I told my grandmother that I would not go back, so she let me drop out.


We had picked blackberries in early summer and after canning them in Bell jars, the three widows carefully didn’t tighten the lids on several jars of juice that was left after the berries were all carefully sealed up. These became wine by Thanksgiving and the ladies made a ritual of testing the juice with faulty seals and on Thanksgiving and Christmas most of the faulty seals juice had disappeared although all three widows were careful to keep me from suspecting they were “drinking wine”. I could tell they were much more upbeat than even a new bottle of snuff made them.


By March of ’31, the economy had become hopeless. I didn’t know any of this but many people did. A great number of our American citizens were hungry and on substandard diets. Our little bunch had had no fresh meat in months. All of our remaining whippoorwill peas were weevelly. Our oatmeal was long gone and our flour was wormy, requiring much sifting and picking. So did the cornmeal.


It was about 7:00 a.m. when we heard Blue Belle calling from across the gravel road where there were acres of open fields in every direction. When we got to the front door to see what she was calling about, we could tell her sound was muffled. Then we saw why. Blue Belle was carrying in a large, young, wild rabbit she’d caught and she was bringing it to us. Tildi promptly slaughtered and turned it into fricassee to go with a pan of biscuits.

This performance, Blue Belle repeated quite frequently on into the summer. Her call, too, became “music from the pearly gates”. She was old and we lost her in late August and when we buried her by the old pine tree, we had real tears…. In fact Alice almost said words. Elbert Webster Price 





Saturday, January 19, 2008

AN ARTIST BEGINS


My first memories are of drawing. I always tried to reach higher than my body would permit. I tied balloons to cardboard boxes, I made wings out of refrigerator crates and jumped off sheds.



As my injuries increased, so did my sophistication. Eventually I acquired a two cycle engine and tied the governor down and attached it and a homemade propeller to a full sized home built monoplane and cranked it off. The whole thing shook apart. Did I say sophistication?



The end of that was I did actually fly about twenty seconds in a high March wind with a rope attached to my contraption and all my buddies pulling. The landing was a bit disappointing but not disastrous. They did, however, have to use wire cutters to extract me from the thing.

Nobody laughed to much, however, because I would fight when derided.



My painting of that event hangs in a private collection. I kept it for years before I would let it go.



I've been drawing and sculpting clay since I was in preschool and before. My mother would have to drag me all the way backwards from the preschool to the car with me screaming "No! They will get my clay". They always did.



Babysitting me was always simple at home. I would lie on the floor for hours with a sheet of discarded butcher paper drawing images from my mind.



When I graduated Art Institute of Pittsburgh, I joined an advertising agency as their visualizing sketch artist, designing print ads with a broad point pencil somewhat like a carpenters flat leaded pencil. Ad agencies didn't pay artist well and so I moved my art back to private again and became an account executive but I never quit painting and sculpting



Eventually, stock market trading became a side interest and for several years, my main profession. I did not, however, quit paint and sculpting in those years.



I left the stock market proper at 55 and became, once again, a full time painter-sculptor.

I am now back in my comfort zone.

Flywheel